While syllabuses do serve the rhetorical purpose of a student-instructor contract and course expectations, only viewing the syllabus as an evaluative or outlining genre can cause students anxiety and be inaccessible. Instead, reframing our syllabi with "warm" language and universal design can bring a human touch to our syllabi, inviting students to actually read them instead of just scanning them for the things they can "get in trouble for" and the correlating consequences.
We can "warm up" (Binder & Carnell) our syllabi by intentionally choosing human-centered language rather than the typically contractual legalese that is inaccessible, out of content, and anxiety-invoking for students. Creating warm syllabi prioritizes both clarity and an emphasis on how the content relates to the student reading the syllabus. The syllabus should set up the rhetorical situation of the classroom by clearly outlining the exigencies of the course and how the student will be an active rhetor engaged in the co-construction of meaning in the classroom, not a passive audience of a hierarchical lecture.
I strongly believe if we are "just scanning" through our syllabi on the first day of the course, we are likely not framing them in a rhetorically efficient and audience-aware way. While it is the student's responsibility to read through the document to understand the full agreement of the course, I aim to create a more accessible, accommodating, and engaging re-genre of the traditional syllabus through the syllabus zine.
Inspired by Chican(e) Punk Pedagogy and applications such as Olivia Hernadez's presentation on zines in her Hispanic serving FYC course, my zine provides another modality for framing the rhetorical outline of the course, bringing "warmth" to the traditional block-text syllabus. By including QR codes, illustrations, and interactivity through physicality, the syllabi zine condenses syllabus content into a student-centered genre that acknowledges high context cultural inventory characteristics, such as the valued use of nonverbal elements in interaction as a significant part of communication and knowledge being embedded in the situation.
Binder, April; Carnell; Lucinda. "Developing Inclusive Syllabi: Part of a Culturally Sustaining Practice." Faculty Workshop, Multimodal Learning, 19 Apr. 2024. Central Washington University. Workshop.
Martin, Dan. "English 101 Course Syllabus." Canvas Course.
Halverson, Claire. "Cultural Context Inventory Characteristic Sheet." 1993. Handout.
Ozment, Kate. "Making the Syllabus Zine." Women in Book History Bibliography. 1 Feb. 2020.